you’re getting warmer

detourIt isn’t so much that we fear rejection so much as that we fear the fear of rejection. As it turns out, rejection itself is not so bad. In 99.999% of the time it is not a judgment, it is not recrimination. We don’t need some “other” to do that to us, we do that to ourselves. When denied what we want we begin to stew, to internalize, berate ourselves for all of our imagined shortcomings. What if we changed the way we deal with NO? What if, instead of fearing it, we leaned in and actually embraced it?  Read more here.

me write pretty

writing-sample2Once, I belonged to an amazing clutch of writers who met every week to explore writing through timed exercises. It was one of the best writing experiences I ever had, and it did more to develop my skills as a writer than almost anything I’ve done since. Twenty years later, I still miss meeting with that group of women. We shared a very important time, you might even say a sacred time, two hours each week, supporting one another and learning to develop our writing voices. Few things were allowed to interfere with our commitment to meet. We gathered faithfully each Friday at an outdoor table at the Bear Street Cafe in Orange County, California, and parked our individual cares at the door in order to be fully present and nakedly honest during our joumaling session. We wrote furiously, read aloud with quaking voices, listened respectfully, and grew as writers.

Now that I live in Northern California, I maintain virtual relationships with several of these fabulous women, and we see each other when we can. But the thing that remains one of the greatest gifts of my life is that even though whatwe mainly have in common is our passion for writing –no matter what, we support each other. We celebrate each others’ successes, and provide insightful comments to help make each other’s work the best it can be. Writing groups are an excellent way to develop as a writer -you can find or form a group by taking classes, getting to know other writers, and then meeting outside of the classroom setting to give yourself more honest writing time.

Back in the day when we met at Bear Street, we maintained a strict routine that went something like this:

  • write nouns or phrases on a slip of paper
  • drop the paper slips in a cup
  • draw a word and write like the devil

One by one, the words were selected from the cup, and we wrote timed exercises based on them. After the time was up, we went around the table and read our work. This wasn’t easy at first, but our group was a safe place to put it out there. One unbreakable rule was that under no circumstances, could we comment on what we wrote -neither the writer not the listeners were allowed to comment. But let me tell you something: our writing got stronger and better and more deeply creative by just listening to each other. I think we secretly tried to out-compose each other, but the result was that we pushed each other to spiraling heights of creativity without so much as one well-intended criticism. It was amazing and illuminating, and a huge lesson in the art of paying attention.

So, dear writer, waht are you paying precious attention to? Where lies your genius? Leave a comment with a single word. What is it you find to write about — in a completly original way? Ooh. Do tell.

 

Best. Graduation Speech. Ever

UnknownGraduation Day

     It’s a rite of passage, a period of great change and enormous possibilities.  One where you hope someone will be there, preferably holding a road map with a big fat X marking the next spot and detailed instructions on how to get there.  Well, here it is.  Your graduation “go-to” info from one of the funniest, and now wisest people . . . Jim Carrey.

 

 

 

 

happy spring!

graham danceShe’s here! Persephone has arrived in all her springtime finery. The dark nights are behind us, now: the celebration. Don’t be afraid, take my hand. Together, we’ll have an adventure watching the earth renew herself in joy and love. Namaste!

make a wish, baby

Quote

jinniWe’re all for diversity, including the natural and supernatural alike. Because sometimes, you know, a girl just feels like a golem, and that’s all there is to it.

“It is New York in 1899, and two strange immigrants have found one another. One is a Jinni, trapped in physical form by an evil wizard in ancient Syria and locked in a bottle for a thousand years. The Jinni is released by a hapless tinsmith as he attempts to repair the bottle in the slums of New York.  The Golem is a made to order bride, a woman created of clay and sparked to life with an incantation known only by her creator and by the husband who, minutes after bringing her to life in the hold of the ship bound for New York from Danzig, dies of a burst appendix.

Now we have: two super-humans, lost and made vulnerable by their “otherness.” We also have two strangers longing for connection to something not-human, and yet forced by circumstance to rely on humans and their strange customs. Finally, we have two beings, perhaps the last of their kind, who want more than anything, to live.”

READ THE REST OF THE REVIEW HERE

novella trifecta

we are pleased to announce that the third Six Sisters novella,

Quality of Light, is now available. So, what are you waiting for?

buy the book::support the arts!

QofL Cover Amzn ver1a

love story 1.1

love, lovers, loving, and beloved::we honor you!

. . .click here to read our love story of the year. xxoo

hands (3)

music valentine 1.2

sometimes love is a thought. sometimes its a sound.

hey. as long as it starts in the heart.

 

fiction valentine 1.4

cupid-and-psyche-1867Love. It’s everywhere. Some would even venture to say that if you haven’t found it, you’re not looking.We don’t know if that’s true. We do know that sometimes fictional love is better than no love at all.

Excerpted from “Jesus, Mary, Buddha”

Over warm olives and crusty sourdough, Helen learns that Nick’s third wife parked her Range Rover at the edge of town on the banks of the Snohomish River and washed down a handful of pentobarbital with a bottle of flinty Oregon pinot gris

It was his first year of mourning and he still hated her and loved her in ways he hadn’t yet explored. “I don’t know how I can do better than that,” he told Helen one night. “I mean fucking look at her.” He gestured toward a framed photo of them on his living room mantle. “She’s gorgeous.”

On Earth Day they up-cycle a pair of antique windows and build a table out of them. Later, they eat salmon with their fingers, straight out of his backyard smoker. After dark, they sit in deck chairs in the garden and watch shooting stars. Eight weeks into their affair, she drives home through the city streets late at night with the windows down, with air warm as a lover’s breath sliding up her arms, through her hair. The rhododendrons are in bloom. The azalea, lavender, chives, strawberries, raspberries,  pear, five kinds of apple, chestnuts. Even at 11 pm, there are couples walking, cyclists peddling down the quiet evening streets in thin cotton dresses, short sleeves. It is evident that even in the dark, they are sucking the juice out of the first days of summer, taking shy steps toward the grilling season.Through the car windows, Helen Okabe breathes in the perfume of lilac.

For his birthday she gives Nick an anatomically correct chocolate heart spiced with habanero pepper. He makes his signature clams and beer. Afterward, he builds a fire in the backyard firepit and they recline on deck chairs, watching the sky. He talks about his men’s group, about getting in touch with his feelings.

“I’ve been wondering,” he begins. “What if I’ve been sabotaging relationships my whole life?” Unlike so many middle aged men, Nick is messed up on love and he knows it. To his credit, he is actually trying to unpack that baggage.

Helen sucks an ice cube and lets the water slide down her throat. “I was just wondering that myself,” she says. She has. She has been doing her spiritual inventory and counting up the number of times that, when the going got tough, she got gone. She was up to four. It wasn’t pretty.

“I think I have intimacy issues,” he says.

“Wait,” she replies. “You said you and Reina were simpatico. You were married ten years. You renewed your vows every spring for God sake. That sounds awfully intimate to me.”

“Nah,” Nick waves the idea away. “That was only appearances. I checked out after two years, if I’m honest about it.”

Appearances, her Zen master said, not only fool, you they aren’t even real. Helen still hasn’t wrapped her head around that one.  

She offers the only solace she has, something from a piece of research she is working on. “The top five fears of most people are public speaking, followed by flying, heights, fear of the dark, and intimacy.” She counts them off on the fingers of her hand and refrains from adding that following this list, the fears continue with death, failure, rejection, spiders, commitment.

“That can’t be right,” Nick says.

“It’s from a university study,” she replies.

“I would say fear of intimacy is number one,” he continues.

“People are scared to death of intimacy. Just think what it means if you are right.”

“I am right.”

“If you are right, and I’m not saying you are, it means people would rather sleep with strangers than speak in front of a crowd of them.”

“It doesn’t mean that at all.”

“People are more afraid of emotional honesty than talking,” he says. “Look,” he says, pointing to a light moving across the night sky, “a satellite.”

It is a clear spring night and the sky is shy of clouds and the moon is new so they have space to shine. “Anyway. That’s my story, and I’m sticking with it.”

(c)

Cynthia Gregory

fiction valentine 1.3

shadowwe’re having fun sharing love stories this week. they come in all shapes and flavors. what’s yours?

It is not as you believe, my Angel. I am not a bad man.  You may think it odd that we have never spoken.  I stand within ten feet of you, my Love, and the words falter, trapped in my throat.  I wait for you on the platform this morning and when I don’t see you I begin my search.

You are in the last car, walking to your seat.  You prefer the solitude here in the “quiet car” over the chattering up front.

I juggle my briefcase and my coffee, taking up more than my allotted half of the aisle, but I see that you are nimble, my Love Light.  I stop, and wait, and hope, but you have contorted yourself into a time-space continuum where anything is possible.  You glide past me without so much as our arm hairs touching.

Now the interminable ticking of my watch is all that separates us.  The train slows; the  doors open.  I walk from the platform to the street, jostled by the nameless, the faceless, carrying backpacks and briefcases.  Their eyes do not shine like my Love’s.

And then you are there, barely yards from me, my Aphrodite, your white dress resplendent in the morning sun, your lush hair tousled by the gentle wind, surrounding a face that would make Venus jealous.  Your long, sinewy legs stride with an athlete’s grace.  I must hurry!

You sense me, but do not turn as I close the gap and we cross the street in tandem.   What bliss!  The sidewalk is deserted; just you, my Madonna, and me, our destinies intertwined, inevitable.

My footstep behind you, adoration at a glance.  Did you notice?  I run a hand through my thinning hair and smile.  But what is this?  What’s that look in your eye?  Are you upset this morning, my Goddess?  Perhaps tired?  I walk on, exactly one half-step behind you, but your pace quickens.  You are determined.  The heat rises to my cheeks; the odd bead of sweat now joined by half a dozen others.  I take several shallow breaths and plunge in; we walk side by side.

My ecstasy knows no bounds.  How many times have you looked away?  A hundred?  A thousand?  My Love, my Captive; now you cannot ignore me.  We walk, not an arm’s length apart.  I would encircle you with my own two, would you give me the slightest signal.

My eyes implore:  LOOK AT ME; but your eyes look only ahead, my Angel, as you float along on winged feet.  We cross the bridge in tandem.  Your proximity is intoxicating. You smell like a breeze off the ocean. I open my mouth to speak, but you are looking away, to the river below, some distant prize on the horizon.  Your feet belie their wings, my Love.  Are you flying?  My heart pounds the narrow walls of my chest seeking an audience.  Another bead of sweat careens along my cheekbone before dive-bombing to the ground.  I think I hear it plop.  More stand ready.  I steal a glance, but you do not notice.

Another breath, this one more shallow.  Your pace is unwavering and I struggle to keep up.  My lungs scream for a rest, a cigarette.  Your pace is maddening.  You pull away.  Don’t leave me!  Not now.  Now that we are so close.

I glance at your face, a goddess carved by Michelangelo himself.  Are you not tiring, my Love?  My arms and legs pump wildly, valiantly, trying to match your stride.  My love swells and my heart wrenches, threatening to burst its walls.  You show no signs of slowing.  Soon we will be at a cross street, the moment lost forever.

“It’s a lot easier walking than I thought it would be this morning.  I thought it would be hotter.”  Was that my voice?  I do not recognize it.

You turn your head to face me, the Goddess in you saluting the God in me.  But what is in your eyes?  Hostility?  Rebuke?  Or maybe just the heat.  Eternity passes.  Did you hear me, my Queen?

“Just wait until midday.”

Your first words!  But…now?  Sarcasm?  Vowels and consonants hang, suspended like greenhouse gasses.  Your eyes lance my skin.

Beads of sweat form armies on my brow.  Some disband, trekking out on reconnaissance missions.  A millennium passes much too slowly.  You walk faster still, if that is at all possible. Our thirty year age difference wears on me.  I pray for rain that I might offer you my umbrella, but the cloudless sky just laughs.  I am at a loss.  We stop at a light and I squeeze all the words clawing their way up back down into my heart.  I am reeling, all six acupuncture pulses echoing in my forehead.  I suck in ambient air like a vacuum; it pummels my lungs like shrapnel.

The light turns green and I charge ahead, taking the first step, knowing you will match my pace.  Half a block by I cast a cautious glance over my shoulder.  But you are not there?  I whirl around to see you buying fruit from a vendor.  I retreat into the shelter of a doorway and from there watch you unnoticed.  Your pace has slowed considerably.  Are you tired, my Beguiling One?

You arrive and I am standing before you.  You recoil, drop the fruit.  Fruit salad sprays the sidewalk.  Pineapple and orange and strawberry splatter your shoes.  You mouth goes slack.  The world tips on its axis.  I stand there, silent, pleading.  Your stare melts the glaciers.

“What?”

I swallow, but my throat burns like wildfire.  I stoop, gather the fruit.   Remnants of melon and cantaloupe and mango trip through my fingers.  I offer them to you, my outstretched hands my reply.  We could lie on the beach, my Sweet One, eat fruit until our bellies were full….

What’s this, my Beauty?  Are you annoyed with me?

Juice slips through my fingers as a thousand needles pierce my arm.  My vision diffuses, my chest seizes.  I want to press my heart, but it’s my balls I grab.  I leave a sweet, sticky hand print on my khaki trousers.

“I thought so,” you say, and turn to leave.

I open my mouth to speak, to cry, to confess, but the words splinter as my heart explodes. Oh, please, PLEASE, wait.  Not this way, my Delicious One.  I drop to one knee, then to the ground as my cheek buries itself in a slice of golden pineapple.  The sharp, sweet aroma drifts into my sinuses.  I watch your fruit-splattered shoes recede.  I hear the distant wail of a siren.  They come for me, I know.  Will you ride with me, my Love?

(c)

Pam Lazos