The duck confite was perfectly divine.
Brought to you with joie de vivre and a giant bonne anniversaire to Nora, by Journaling as Sacred Practice: An Act of Extreme Bravery. Available now on Amazon.
The duck confite was perfectly divine.
Brought to you with joie de vivre and a giant bonne anniversaire to Nora, by Journaling as Sacred Practice: An Act of Extreme Bravery. Available now on Amazon.
Winter is the time when we turn inward, stay indoors, feather our nest. This morning I was enjoying the amber morning light and feeling a little witchy, and a little under the weather, so I whipped up an at-home spa treatment to help loosen a stubborn chest cold. My little alchemical brew worked so well, I had to share it here.
When you can’t get away to a “traditional” spa, there’s no reason you can’t transform your bath into a luxurious spa with a little aromatherapy magic! Try this little goddess-girl two-step alchemy to chase away the winter blahs.
First, make a cold-care chest balm to slather on before bed, bath, or shower time. It’s pretty potent, and that’s the idea, so you won’t want to take this treatment before heading off to the grocery or office holiday party.
Step One. THE BLEND:
Heat the coconut oil to soften and ease the blending process. Combine all ingredients to form a smooth paste. The peppermint and eucalyptus oils lend cooling high notes to the recipe, which will help open airways and ease breathing. Pepper adds a little heat. Jojoba will make the blend more creamy, but the recipe works as well without it. Mix all ingredients and then pour into a jar for storage. This yummy, bright, cold-care chest poultice is guaranteed to chase away any lingering winter blahs!
Step Two. THE BATH:
To make an amazing spa treatment, draw a hot bath. Add 2 cups Epsom salts to the water. Light a candle if you feel like channeling your inner priestess. Add some music to lend atmosphere. Set an intention for a healing bath. Add unscented bubble solution to the water if you are fond of a little froth. Add 10 drops peppermint oil to the water. Rub a little of the cold-care poultice on your chest before slipping into the peppermint-scented bath. Breathe deeply. Let the essential oils do their magic. While the Epsom salts draw toxins out of your body, notice how the cool peppermint contrasts with the hot water. Imagine healing whatever ails you. Go to your happy place and stay there until the water begins to lose its heat. Drain the bath, then shower off. Afterward, apply your favorite body lotion and savor the sensations of cool and warm that will continue for 30 minutes of more. Repeat as desired.
There you have it. You just brought the spa, home. If you give this recipe for bliss a try, let us know how it goes!
Yours Sincerely,
The Girls at Seph’s Salon
(Fair warning: Be a smart goddess. Do NOT touch your eyes with any of these blends on your hands. Do NOT apply undiluted essential oils directly to your skin. When in doubt, test on a small area on the inside of your arm.)
KITCHENS OF THE GREAT MIDWEST
::REVIEW::
What a delicious read in J. Ryan Stradal’s debut novel: Kitchens of the Great Midwest. His treatment of the subject of haute (and low) cuisine is both respectful and poetic, as is his attention to the detail of place. The Midwest has never appeared so endearing, nor possibly as strange.
The star of the story, Eva Thorvald, is born in the late 1980s to Lars Thorvald and Cynthia Hargreaves, the two most unlikely candidates for happy marriage that ever was. But when Cynthia gets knocked up, marry they do, and vigorous ten pound baby Eva follows.
“Cynthia was still twenty-five, and bounced back to her skinny frame with color in her cheeks and bigger boobs, while Lars just grew balder and fatter and slower. He had learned, before she was pregnant, that he had to hold her hand or touch her in some way while they walked places together, so that other men knew they were a couple. Now she was the mother of his daughter, he was even more wary, snarling at passing dudes with confident Tom Selleck mustaches and cool Bon Jovi hair.”
Lars is a foodie through and through, and Cynthia has a knack for food and wine pairings beyond reason. But gravely oppressed by motherhood from the start, Cynthia ditches husband and child as soon as reasonably possible, running off to California to learn the wine trade.
Lars devotes his life to his darling daughter, whose taste buds he teases with the finest ingredients her pediatrician will permit. He reads Beard on Bread to her. He takes her on excursions through Farmer’s Markets, searching for priceless potatoes and redolent rhubarb.
Lucky for her, Eva is born with a “once in a generation palate.” But is this because of her natural father? It’s hard to say. Not long after Cynthia goes MIA, Lars dies suddenly, leaving baby Eva to be raised by her Uncle Jarl and Aunt Fiona, who while loving her completely, don’t know a mung bean from mozzarella.
Part of the pleasure of this novel derives from Stradal’s juicy narrative. From the start, we know that Eva is a survivor and that she is destined for great things. We love how she loves her adopted parents, how she embraces strays of all kinds, and how even as a kid, she demonstrates great depths of compassion.
“[Jarl] suddenly looked sad and bewildered, like an elephant that had been fired from the circus and was wandering down the side of the highway with nowhere to go. The thought occurred to Eva that if her dad confronted those boys face-to-face, they would make fun of her weak, fat, kindhearted father as brutally as they made fun of her, and she needed to protect her dad from that; his ego was already so fragile.”
It’s not giving anything away to reveal that Eva becomes a celebrated, if mysterious and deeply private, chef. Her love for good food is not for show or for fame; it is real as rice and sweet as whipped marshmallow. In the end, her love of food is about what all great food is about: celebration and gratitude and sharing your bounty with those you love.
c. gregory
During this year’s extended vacation (HIGHLY recommended and thank you, Tim Ferriss), I adopted a puppy. Well, he adopted me. You know how that goes. At any rate, he’s spectacular and I’m getting to know more about his poop schedule than I would have imagined. Still, he’s worth it. I mean, look at this face:
Here’s a TGIF tribute to all the happy puppies and all their happy people.
When I meditate, the big things fall into perspective. When I sit and let my body relax, I can feel my bones and muscles, my blood and tissue, letting go of all the big ideas, the big worries, the Big Bad (as Buffy would say). My breath deepens, my shoulders drop. I would like to say that I let my worries go but it is really the other way around. When I fall into the sweet relaxation that mediation opens in me, worries let me go and my consciousness expands and rises up into the sky like a soap bubble. From that high-deep place the “big things” that occupy so much of my waking life seem as small as marbles in the dust and I wonder how they ever seemed important at all.
It took a couple of whole-day meditation retreats to reach this place. I like to think that I have meditated for years, but now I realize, I dabbled. I would do it when the timing was right or the moon was aligned or if I had not hit the snooze button and rose naturally, and meditation was a yummy doorway between dreaming and awake. But I never did it for more than 20 minutes. Tops.
I began attending a weekly Satsang in Napa and got to practice 30 minutes sessions. They were challenging, but I got the hang of it. Then, I did a couple of full day retreats at Spirit Rock Meditation Center in Woodacre. These took a little more concentration, a little more physical discipline. I struggled at first, but when I stopped efforting so much. . .and when I forgot to try, it happened. The world and everything in it (including me) simply expanded and I found my mind floating in a sparkling pool of iridescent blue. I call this feeling Suspended in the Blue and it is completely, utterly, and deeply delicious. I won’t pretend that I get there every time, but now that I know how, it has become an unfolding, and I appreciate the practice as much as the experience.
Big worries? Meh. I breathe in, I breathe out. Everything else is optional.
Sylvia Berek Rosenthal is a prolific writer. And it’s no wonder, as Rosenthal, a resident at Oakmont at Montecito in Concord, CA, who will turn 92 this August, has had plenty to write about. Her latest book, Marry Me With Marigolds, is a delicious collection of poems that reads like the spicy narrative of an interesting life. The genesis of Marry Me with Marigolds began when Rosenthal won First Prize in the 2010 Benicia Annual Love Poem contest.
The writer strongly resembles someone’s smart and jolly Nanna, with her shock of white hair, large black-framed glasses, bright floral silk jacket. She smiles gleefully. “It felt so nice for an old lady to win with a love poem,” she says about the contest.
Sylvia Rosenthal didn’t begin writing poetry until she was 75, an age when people tend to be outspoken with their truths. The poetry in this collection reflects a whole lot of truths, as it was written in the 15 years between 1997 and 2012. Many of her poems are funny and downright irreverent. Some are rich and tender. In all, her personal voice rings true. In the poem called “Maid in America,” she speaks of how her parents met.
My mother was born in Detroit.
You can’t get any more American than that
Can you?
When she turned seventeen she met my father.
He spoke Yiddish and Polish
She spoke only English.
They had no trouble.
Pillow talked worked just fine.
When she turned eighteen
They celebrated by getting married.
One year later
World War One
Began.
In the book’s namesake poem, Marry Me With Marigolds, Rosenthal uses language in a way that is both playful and evocative:
Marry me with marigolds
Tempt me with your tenderness
Covet me with coriander
Chocolate and
Cloves
Favor me with foxglove
Gather me with the garden’s garland
Circle me with summer squash
Sesame and
Sage
Woo me with water lilies
Nurture me with nutmeg
Pamper me with peppers
Red green and
Gold
And I will stroke
Your balding head
Bake you babkas
Cook you cabbage
Pat your pot belly
If you will only
Marry me with marigolds.
Rosenthal may live in Concord, CA, but to hear her speak, you know she is pure New York, where she was a grade school teacher and guidance counselor. Her husband, George, was a ceramicist and artist. For years they lived something of a bohemian lifestyle, sojourning back and forth between New York to San Miguel de Allende, Mexico. After a time, the Rosenthals moved to San Antonio, Texas, to shorten the commute between San Miguel and the states.
It was when the couple lived in Texas, that Sylvia discovered poetry. Her husband had broken his shoulder and was recovering from surgery and she had tired of being his nurse. “I decided to take a writing class at the San Antonio branch of Texas University and the only two courses available were poetry and a business writing course,” she explains. “I wasn’t going to write letters, so poetry it was.” In San Antonio, Sylvia became deeply involved with local writing and poetry communities. In San Miguel, she wrote columns for the Atencion and El Independiente newspapers.
Her first book, Mrs. Letsaveit, is the collected body of these columns, which are mainly food literature essays very much in the style of Sonoma County’s M.F.K. Fisher. The cover of Mrs. Letsaveit features a close up photograph of some of her late husband’s ceramics. The direct and humorous essays filed between the covers of the book are redolent of a happy home as Rosenthal describes her life in Mexico through a series of narratives about cooking and eating food. “Think of it as recipes through a filter of Like Water for Chocolate,” she says, referencing the 1989 best selling book by first-time novelist Laura Esquivel. In Mrs. Letsaveit, Rosenthal writes about making bagels, corned beef, Mandelbrot, and other family favorites in Mexico, far from New York – or Texas style grocery stores.
An avid reader and writer still, Rosenthal is a member of the San Miguel PEN and San Antonio Poets; she is now involved in writing and poetry groups in the Clayton/Concord Area. Is her work fact or fiction? She smiles mischievously and replies, “I like to think of poetry is a piece of the truth, but not all of it.”