leaping dogs

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I have the best commute in the world. I travel nearly daily from Napa Valley through Sonoma County to Marin County, CA. There are spectacular views of the upper San Francisco Bay wetlands, across the lush Carneros region with vineyards for miles, the coastal Mayacamas Range, Mt. Tamalpias, and Mt. Diabo. As pretty goes, it’s off the charts.  The only other commute I’ve had to match it was 20 years ago along the Pacific Coast Highway from Long Beach to Newport Beach, with the blue Pacific practically at my fingertips.

I started a new commute three weeks ago. I had just come off a lovely, lazy summer vacation. I was about as Zen as I’ve been in years after spending four months meditating daily, taking long walks, adopting a puppy, and generally finding ways to revel in happy.  Weirdly, the day I suited back up and started commuting to work, I stepped right into the old habit of taking myself Very Seriously. I drove fast. I cursed red lights. I started driving like a maniac on the devil’s raceway. It’s embarrassing to admit, but every other driver on the road was either a) stupid, b) blind, c) ignorant of my supreme mission to arrive at my very important place in the world. I couldn’t get where I needed to fast enough, or efficiently enough.

And then, gratefully, before I got too out of control and gave myself an aneurism, I recieved a cosmic thump on the head. I was driving to work one morning last week, raging against every slow driver between me and the Golden Gate Bridge. The line of traffic was (finally!) moving swiftly along, we had gotten a green light through a three-way intersection near an abandoned dairy in Sonoma and were picking up speed for an uphill climb. Suddenly, out of the overgrown bushes of the ghost dairy on my right, a beautiful golden coyote darted toward the far side of the road and to my horror, leapt straight into the grill of the car in front of me. There was not time for the driver to even slow, much less react. Impact was a foregone conclusion. I watched, horrified, as time slowed and the scene played itself out.

The driver did not stop. Traffic did not stop. We swerved and eddied around the carnage, but we did not stop. I reached for my phone and made a lifeline call. I called B, my friend, crying and shuddering. “Pull over,” she said. As soon as I could, I did. I did not see anyone else pull over. Bless her, B helped me through those first few minutes, until I could breathe and continue driving.

Later that day, I called her and we talked. “Coyote is known as the trickster in Native American legend,” I told her. “It wasn’t funny.”

“There, there,” she said to me, “There, there.”

I know enough about stuff to know that seminal events like my catastrophic commute are never about what they seem to be about. They are always about something deeper.  That night, while on the phone with B, I sat at my computer and did a Google search for “coyote totem.”  The page I found said that the message from Coyote is “to not take things too seriously, to remember to have fun.”  I was stunned. I looked at my behavior leading up to the incident of the commuter coyote, and I was indeed taking the world waaaay to seriously. It was as if the spirit of Coyote had orchestrated the whole show just to get my attention, as if to say, “Really? REALLY?”

Since that awful day in Sonoma, something has shifted in me. I’ve decided that ten minutes one way or the other doesn’t matter. Slow cars don’t matter. Rude drivers don’t matter. What matters is how in-tune I am with my soul, and nothing is important enough get in the way of that.  Period. I show up for my commute, and whatever happens, happens. Sluggish cars, silly drivers, et al.

A side benefit of my tragedy/epiphany is that I have been dumbstruck by my travels. I am lucky enough to get to traverse some of the most beautiful natural scenery on the Pacific coast. It is lush and dreamy and fecund in a hundred ways. It is splashed by farm ponds that turn silver and reflect the rising winter sunrise. It is dotted with working barns that have withstood wind and rain and sun. My route is part of the original El Camino Real, the path driven by faith, one that Padre Junipero Serra took through Alta California more than two hundred years ago to bring God to a wild land. I didn’t see that before. In my rush to be important, I had ignored this amazingly beautiful place. Coyote, in his wily wisdom, knew that, and brought it to my attention in a way that was impossible to ignore.  

So now, I am reminded of Ram Das’ famous admonition: Be Here Now.  Thankfully, I am. Here. Now. And the view is amazing.

poem::poet::poetry

marigold

Sylvia Berek Rosenthal is a prolific writer. And it’s no wonder, as Rosenthal, a resident at Oakmont at Montecito in Concord, CA, who will turn 92 this August, has had plenty to write about. Her latest book, Marry Me With Marigolds, is a delicious collection of poems that reads like the spicy narrative of an interesting life. The genesis of Marry Me with Marigolds began when Rosenthal won First Prize in the  2010 Benicia Annual Love Poem contest.

The writer strongly resembles someone’s smart and jolly Nanna, with her shock of white hair, large black-framed glasses, bright floral silk jacket. She smiles gleefully. “It felt so nice for an old lady to win with a love poem,” she says about the contest.

Sylvia Rosenthal didn’t begin writing poetry until she was 75, an age when people tend to be outspoken with their truths. The poetry in this collection reflects a whole lot of truths, as it was written in the 15 years between 1997 and 2012. Many of her poems are funny and downright irreverent. Some are rich and tender. In all, her personal voice rings true. In the poem called “Maid in America,” she speaks of how her parents met.

My mother was born in Detroit.

You can’t get any more American than that

Can you?

When she turned seventeen she met my father.

He spoke Yiddish and Polish

She spoke only English.

They had no trouble.

Pillow talked worked just fine.

When she turned eighteen

They celebrated by getting married.

One year later

World War One

Began.

 

In the book’s namesake poem, Marry Me With Marigolds,  Rosenthal uses language in a way that is both playful and evocative:

Marry me with marigolds

Tempt me with your tenderness

Covet me with coriander

Chocolate and

Cloves

Favor me with foxglove

Gather me with the garden’s garland

Circle me with summer squash

Sesame and

Sage

Woo me with water lilies

Nurture me with nutmeg

Pamper me with peppers

Red green and

Gold

And I will stroke

Your balding head

Bake you babkas

Cook you cabbage

Pat your pot belly

If you will only

Marry me with marigolds.

Rosenthal may live in Concord, CA, but to hear her speak, you know she is pure New York, where she was a grade school teacher and guidance counselor. Her husband, George, was a ceramicist and artist. For years they lived something of a bohemian lifestyle, sojourning back and forth between New York to San Miguel de Allende, Mexico. After a time, the Rosenthals moved to San Antonio, Texas, to shorten the commute between San Miguel and the states. 

It was when the couple lived in Texas, that Sylvia discovered poetry.  Her husband had broken his shoulder and was recovering from surgery and she had tired of being his nurse. “I decided to take a writing class at the San Antonio branch of Texas University and the only two courses available were poetry and a business writing course,” she explains. “I wasn’t going to write letters, so poetry it was.”  In San Antonio, Sylvia became deeply involved with local writing and poetry communities. In San Miguel, she wrote columns for the Atencion and El Independiente newspapers. 

Her first book, Mrs. Letsaveit, is the collected body of these columns, which are mainly food literature essays very much in the style of Sonoma County’s M.F.K. Fisher.  The cover of Mrs. Letsaveit features a close up photograph of some of her late husband’s ceramics. The direct and humorous essays filed between the covers of the book are redolent of a happy home as Rosenthal describes her life in Mexico through a series of narratives about cooking and eating food. “Think of it as recipes through a  filter of Like Water for Chocolate,” she says, referencing the 1989 best selling book by first-time novelist Laura Esquivel. In Mrs. Letsaveit, Rosenthal writes about making bagels, corned beef, Mandelbrot, and other family favorites in Mexico, far from New York – or Texas style grocery stores.

An avid reader and writer still, Rosenthal is a member of the San Miguel PEN and San Antonio Poets; she is now involved in writing and poetry groups in the Clayton/Concord Area. Is her work fact or fiction? She smiles mischievously and replies, “I like to think of poetry is a piece of the truth, but not all of it.”

Sylvia Beren Rosenthal’s books are available on Amazon.

new year, new you

baldy

There are a million ways to start a new year and we are pleased to say that a killer hike is one of our favorites. Especially the imperfect part. You know: the huffing and puffing to the top of the hill part. We even like the way they turn a painful, albeit beautiful, experience into an object lesson. Read all about it here.

the storm that ate my drought

flashflood

 I love California. Quirky, lovable, yoga-centric California has been very good to me. Still, just six years ago after a bad breakup, I left the state for what I thought was for good. I move to Portland and immediately experienced a “once-a-decade” blizzard that shut the city down and gave me near-pneumonia. Then, two years ago, I got recruited back. Not just to the general California Bay Area population, but to the super-special wine country, home of some of the most valuable vintages on the planet. Yay! It is delicious in about a million ways and I try not to let it go to my head. Sometimes I have to literally pinch myself when, in the rarefied company of people whose names I dare not drop, I find myself . . .

Read more here.

the name of things

zaca-lakeZaca Lake

A white-bellied carp breaks the water’s

surface, crickets chirp a background chorus.

Bats fly a crazy trajectory, then

fold like origami, cling to the eaves.

A great horned owl swoops, glides

above an old man who fills mason jars

with what he calls sacred mud of the healing lake. 

In the lobby of faded sun, I pass row after row

of pinned butterflies under glass.  

Memento Mori of old hotel, long-gone guests;

of Anise Swallowtail

Mournful Duskywing

Cabbage White.

Days of green and summer’s

sulphurous heat that bursts cocoons.

Fragile speckled wings that someone felt

the need to pin down.

You’re awake as a child until they teach you

the names of things.

Sandra Giedeman