My oldest living relative would by my aunt, my mother’s sister. She was one of four children, and she had nine babies with my uncle. As a reward for a life well lived, she is our matriarch. It is so strange to move inevitably closer to that category: the elder generation. The wise ones. The ones with institutional memory. Where do the stories go when the elders are gone? Does the narrative lose its bite? Do the family mythologies soften around the edges like a cherished photograph carried for years in a wallet? Perhaps family stories are like an image that over time fades until only the ghost of an persona remains.
She wore Chanel No. 5. On nights my parents went out, she drifted out the door on a cloud of deep musky-floral pheromones, an accommodation of the sophistication she yearned for. Periodically, when we were old enough for them to leave the brood with a reliable steel-belted sitter for the weekend, they journeyed north to the Banff Springs Resort in British Columbia. There are photographs of them from one trip, souvenirs from a night club they had attended. My mother appears to be in her thirties, young, pretty, wearing a classic kind of Jackie O sheath dress. The photographer caught her smile and a sparkle in her eyes. She seemed happy then, and glamorous. I imagine that in that dress, in that club, she was enveloped in a cloud of Chanel No. 5. She later switched to a fragrance called Interlude – with the same base notes, a similar mysterious, musky presence. Other scents of my mother that I recall: Breck hair spray, spray starch, despair.
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